![]() In here you will do most of your audio editing of loops and live recorded instruments.īeyond that there is also the Chopper and Clip Properties window, where you can fine tune samples and the beat markers within audio files to create Acid Files that you can stretch and compress to different tempos within a certain threshold. Instead it seems heavily focused on drawing your eye to the timeline or edit window. It does not rely on the traditional large mix window and large timeline window that most pro audio programs employ. The general window layout and default conventions or workflows were slightly confusing to get around in the beginning. My initial endeavor into Acid revealed that, out of the box, it is tailored for music production. ![]() The latest version of Acid Pro looks to address some of these issues and pushes Sony Creative Software’s professional audio and video product line forward into the post houses and studios of the world. But lack of a full-featured mixer window and video sync capabilities kept me away, considering most of my work focuses on post production mixing. I have long heard from a few of my electronica-minded friends they preferred Acid to other more expensive programs available for their loop-based productions. I took some time to put Sony’s new Acid Pro 7 through its paces over the past month. ![]()
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